dj、音樂愛好者、喜歡diggin'的人，太多我們熟習的好聲音。請看
http://www.45king.com/index2.html
http://www.myspace.com/the45king
http://www.ucpzone.com/45king/
h
星期六, 3月 06, 2010
星期二, 2月 23, 2010
好站推薦 breath of life (BOL)
a conversation about black music
http://www.kalamu.com/bol/
非常用心的音樂愛好者所製作的網站，以免費下載mixtape/compliation的方式，推廣所謂的黑人音樂。不管是hip hop, jazz, soul, nu soul 甚或 afro beats，只要跟黑人音樂有關聯，網主皆以主題性的方式呈現。每週更新，維持一週可下載的新鮮度，每週主題分成classic,contemporary,cover三種，不僅列出曲目，更標明出專輯名稱、封面以及歷史背景，喜愛黑人音樂的朋友，這是您絕不能錯過的好地方
務必訂閱newsletter，讓您乾渴的耳朵得救吧!
星期一, 2月 22, 2010
thirty thirsty presents MAKE YOU HAPPY老歌放克又經典
diggin anywhere對喜愛音樂的朋友而言，是那種難以自拔、沉溺其中、旁人無法理解的樂趣吧!有一天，也要帶著滿滿的荷包到國外好好挖一下!
放克、經典，感謝無國界的網路讓我們也可以享受音樂所帶來最純真的樂趣
Tracklist:
Kissing My Love - Marc Broussard [2007]
Working Woman (Kenny Dope Main Mix) - Gizelle Smith & The Mighty Mocambos [2009]
Stars Starve,You Know - Betty Davis [2009]
Holy Ghost (Prince Of Ballard Fix feat. Pharoahe Monch) - The Bar-Kays [2009]
Sweet Maryline - Last Exit [1979]
Somebody Else’s Guy - Jocelyn Brown [1984]
Can’t Stop Moving (Mirwais Remix) - Sonny J [2008]
9 to 5 (Surecut Kids Re-Edit) - Dolly Parton [2009]
Make You Happy - Aldo Vanucci & Featurecast [2008]
Woman (Regrooved by Fuzzbox INC) - James Brown [2009]
Saddle Up - David Christie [1982]
Big Mouth - Stickybuds [2010]
Say A Prayer For Two - Crown Heights Affair [1978]
.
This morning I went to a small vinyl trade fair,it means super bargains and a lot of great music hidden among tons of dust.Although my hands seems to disapprove (dust is actually the main theme),I am happy like a child while I’m listening to this stuff.
Music makes me happy and it’s time to share the feelings.
Happy happiness everybody.
挖唱片最開心的就是在那堆佈滿灰塵的唱片中，找出熟悉、或是被遺忘的好聲音，即使手都弄得髒髒，還是能自得其樂!愛音樂的心，最自然
.
Mixography
Marc Broussard’s Save Our Soul on Vanguard
Gizelle Smith Remixed by Kenny Dope on Kay-Dee (check out Gizelle’s music on Record Kicks too).
Betty Davis massive funk is from 1976 but it was unreleased and came out last year on Light In The Attic.
Bar-Kays and Dolly Parton’s remixes are available for download at Armed Snobbery & Surecut Kids.
Aldo Vanucci,Featurecast,Fuzzbox INC and Stickybuds are all involved in the GOOD GROOVE affair.
And the rest is history…說的好啊
http://www.thirtythirsty.com/
放克、經典，感謝無國界的網路讓我們也可以享受音樂所帶來最純真的樂趣
Tracklist:
Kissing My Love - Marc Broussard [2007]
Working Woman (Kenny Dope Main Mix) - Gizelle Smith & The Mighty Mocambos [2009]
Stars Starve,You Know - Betty Davis [2009]
Holy Ghost (Prince Of Ballard Fix feat. Pharoahe Monch) - The Bar-Kays [2009]
Sweet Maryline - Last Exit [1979]
Somebody Else’s Guy - Jocelyn Brown [1984]
Can’t Stop Moving (Mirwais Remix) - Sonny J [2008]
9 to 5 (Surecut Kids Re-Edit) - Dolly Parton [2009]
Make You Happy - Aldo Vanucci & Featurecast [2008]
Woman (Regrooved by Fuzzbox INC) - James Brown [2009]
Saddle Up - David Christie [1982]
Big Mouth - Stickybuds [2010]
Say A Prayer For Two - Crown Heights Affair [1978]
.
This morning I went to a small vinyl trade fair,it means super bargains and a lot of great music hidden among tons of dust.Although my hands seems to disapprove (dust is actually the main theme),I am happy like a child while I’m listening to this stuff.
Music makes me happy and it’s time to share the feelings.
Happy happiness everybody.
挖唱片最開心的就是在那堆佈滿灰塵的唱片中，找出熟悉、或是被遺忘的好聲音，即使手都弄得髒髒，還是能自得其樂!愛音樂的心，最自然
.
Mixography
Marc Broussard’s Save Our Soul on Vanguard
Gizelle Smith Remixed by Kenny Dope on Kay-Dee (check out Gizelle’s music on Record Kicks too).
Betty Davis massive funk is from 1976 but it was unreleased and came out last year on Light In The Attic.
Bar-Kays and Dolly Parton’s remixes are available for download at Armed Snobbery & Surecut Kids.
Aldo Vanucci,Featurecast,Fuzzbox INC and Stickybuds are all involved in the GOOD GROOVE affair.
And the rest is history…說的好啊
http://www.thirtythirsty.com/
星期三, 12月 16, 2009
Wallifornia Soul 紀錄片
日前比利時電台Laid Back做了有關Jean Roger (aka JR) 的一段專訪，主題是七零年代比利時頗具知名度的俱樂部'THE GROOVE"對JR的影響，也就這樣衍生出了一段精彩的訪問，對JR的興趣以及尊重後來決定為JR製作Laid Back第一部小型紀錄片
收集唱片超過30年，對音樂的喜愛還有努力讓JR完成許多夢想 。 (挖唱片賺錢?!)
關於JR點我
再點我
當天JR所播放歌單，只有"經典"可以形容。讓人在慵懶的禮拜一變的活耀許多。 聆聽請點圖片
Jamo Thomas and the Party Brothers – Nassau Daddy (Sound Stage 7)
The Pac-Keys – Stone Fox (Ember Records)
Little Grady Lewis & the Soul Smokers – Soul Smokin part 1 (Wand)
The Johnny Otis Show – Cou
Spooner’s Crowd – Two in the morning (Cadet)
The Soul Runners – Chittlin’ Circuit (MoSoul)
Prime Mates – Hot Tamales part 1 (Sansu Records)
Brown Brothers of Soul – Cholo (Specialty)
Bill Coday – When you find a fool bump his head (Galaxy)
Ann Peebles – Slipped tripped and fell in love (London)
Andre Williams – Cadillac Jack (Checker)
Andre Williams – Sweet Little Pussycat (Wingate)
Jamo Thomas – Brown Brothers of Soul (Sound Stage 7)
Jamo Thomas – Bahama Mama part 1 (Sound Stage 7)
Rex Garvin – Believe it or not (Like Records)
ntry girl (Kent)
Gwen McCrae – Lead me on (Columbia)
Brother Soul – Cookies (Leo Mini)
Martini’s – Hung Over (Bar Records)
Cash Mc Call – You ain’t too cool (Thomas Records)
Brother Jack mc Duff – Can’t get satisfied (Barclay)
The Unemployed – Rooster (Cotillion)
最後，一起來欣賞這15分鐘的紀錄
片頭是薩克斯風手Sil Austin所帶來70年代經典舞曲disco lady,性感sax酌以性感女聲shake your boo, shakke it down, movin in, movin around, disco lady.
影片最後有歌曲單，都很棒。不妨去youtube找來聽聽
Laid Back http://www.laid-back.be/
驚 喜
後來為慶祝wallifornia soul的亮相，Laid Back又邀請JR進行第二次訪問，當然JR也帶來了更多私家收藏
認真的JR
當然，好音樂怎麼能錯過，趕快來聽，可以的話用軟體把它錄下當收藏
星期一, 11月 16, 2009
到韓國可以去這間唱片行挖寶
挖唱片應該是很多音樂愛好者最喜歡樂趣，韓籍美裔製作人the seOUL avengeR帶來了他的韓國挖寶紀實，如果你有去韓國，去看看吧。 原文出於此處
Traditional Korean Vinylby Joyce Cho (soon to be a Chung muhahahah )
What I learned from this trip to Seoul and buying vintage records: you need a functional command of the language, and you'd better be a Korean national or be in good with someone who is, otherwise you're stuck buying from high-priced brokers at the few remaining stores in Seoul.
Bootlegging is a Korean tradition that goes way back and it's not enough to go by the cover art; you have to be careful and read the track listings as a lot of albums look similar or the same. And naturally almost everything is in hangul.
With the recent decision to allow non-Latin alphabets be used for website addresses, it could become even more difficult for outsiders to access these works of art. Someone made a good comparison somewhere of this being a sort of modern-day reiteration of the Hermit Kingdom thang.
The first store I went to was promising; we'd been communicating via email over a few months and had told the owner that I was going to be in Seoul for a few weeks.
The store was right in the middle of one of Seoul's many underground shopping arcades. Upon meeting the owner/manager, I could see a game of "go" on his computer screen. "Oh yeah, I got your email but I've been really busy and haven't had a chance to respond," he said as he IMed his friends and moved his chess pieces on the screen. "But here are the prices for some of these records. Most of them won't be easy to find."
I came back a few days later and combed through their small kayo section. Most of the records were quite old and more in the Japanese or ballad styles. There was nothing under $100.
But I spotted another, tiny record shop displaying some Kim Jungmi albums. It was closed, but I figured I'd try to call the owner. He said he was on his way and would be there in 30 minutes.
This guy was really nice, knowledgeable, and his store was very neat and well organized (this isn't a pic of his store btw). Over the course of about 30-45 minutes he gave me a brief history of Korean vinyl that went something like this:
Re: rarity of recordsIn postwar Korea through the 1980s the quality of life here was very poor. People didn't have the money to own their own turntables at home so they would go to the dabang (tea house) or coffee shops and listen to records there. Well naturally these records would get played over and over and wound up getting damaged, worn out, and eventually thrown away.
With artists like Shin Jung Hyon who got busted for smoking marijuana the authorities under military dictator Park Chung-hee actually seized as many copies of his albums as they could gather and destroyed them or scratched them to render them unusable. For a while listening to or buying his music was against the law.
Re: prices of the records todayIn the beginning, it was the Japanese. They came here to buy records and Koreans said, "10,000 won [$10] please" and the Japanese bought without hesitation. After awhile it became "100,000 won [$100] please" and they still didn't flinch. And now it's "1 million won please" and the records still sell.
As a result, it's very likely that most of the world's Korean kayo records are in Japan. Koreans had originally thought that it was the guitar parts of these Korean psychadelic rock bands that was what caught Japanese kids' ears, but it turned out it was the DRUMMING.
Now there are people buying these records not just from Japan but New York, Europe, and South America. These record prices are small change for them.
But there's still the element of a group of Koreans who are holding on to their records, expecting the prices of them to continually climb. They have them, but they're not letting them go.
Well to all those ajusshis that tried to hustle me--you gotta be out of your head if you think another Korean is gonna abide by your Waygook prices! The Cheap Gene is within us all!
These are coming back with me to Cali! (Except for the Kim Jungmi, that stuff is damn near impossible to find. And the Psychadelic Xmas. But I will find them one day!)
This couldn't have been done without the help of my cousin and his wife btw thanks Unni and Oppa!
Traditional Korean Vinylby Joyce Cho (soon to be a Chung muhahahah )What I learned from this trip to Seoul and buying vintage records: you need a functional command of the language, and you'd better be a Korean national or be in good with someone who is, otherwise you're stuck buying from high-priced brokers at the few remaining stores in Seoul.
Bootlegging is a Korean tradition that goes way back and it's not enough to go by the cover art; you have to be careful and read the track listings as a lot of albums look similar or the same. And naturally almost everything is in hangul.
With the recent decision to allow non-Latin alphabets be used for website addresses, it could become even more difficult for outsiders to access these works of art. Someone made a good comparison somewhere of this being a sort of modern-day reiteration of the Hermit Kingdom thang.
The first store I went to was promising; we'd been communicating via email over a few months and had told the owner that I was going to be in Seoul for a few weeks.
The store was right in the middle of one of Seoul's many underground shopping arcades. Upon meeting the owner/manager, I could see a game of "go" on his computer screen. "Oh yeah, I got your email but I've been really busy and haven't had a chance to respond," he said as he IMed his friends and moved his chess pieces on the screen. "But here are the prices for some of these records. Most of them won't be easy to find."
I came back a few days later and combed through their small kayo section. Most of the records were quite old and more in the Japanese or ballad styles. There was nothing under $100.
But I spotted another, tiny record shop displaying some Kim Jungmi albums. It was closed, but I figured I'd try to call the owner. He said he was on his way and would be there in 30 minutes.
This guy was really nice, knowledgeable, and his store was very neat and well organized (this isn't a pic of his store btw). Over the course of about 30-45 minutes he gave me a brief history of Korean vinyl that went something like this:
Re: rarity of recordsIn postwar Korea through the 1980s the quality of life here was very poor. People didn't have the money to own their own turntables at home so they would go to the dabang (tea house) or coffee shops and listen to records there. Well naturally these records would get played over and over and wound up getting damaged, worn out, and eventually thrown away.
With artists like Shin Jung Hyon who got busted for smoking marijuana the authorities under military dictator Park Chung-hee actually seized as many copies of his albums as they could gather and destroyed them or scratched them to render them unusable. For a while listening to or buying his music was against the law.
Re: prices of the records todayIn the beginning, it was the Japanese. They came here to buy records and Koreans said, "10,000 won [$10] please" and the Japanese bought without hesitation. After awhile it became "100,000 won [$100] please" and they still didn't flinch. And now it's "1 million won please" and the records still sell.
As a result, it's very likely that most of the world's Korean kayo records are in Japan. Koreans had originally thought that it was the guitar parts of these Korean psychadelic rock bands that was what caught Japanese kids' ears, but it turned out it was the DRUMMING.
Now there are people buying these records not just from Japan but New York, Europe, and South America. These record prices are small change for them.
But there's still the element of a group of Koreans who are holding on to their records, expecting the prices of them to continually climb. They have them, but they're not letting them go.Well to all those ajusshis that tried to hustle me--you gotta be out of your head if you think another Korean is gonna abide by your Waygook prices! The Cheap Gene is within us all!
These are coming back with me to Cali! (Except for the Kim Jungmi, that stuff is damn near impossible to find. And the Psychadelic Xmas. But I will find them one day!)
This couldn't have been done without the help of my cousin and his wife btw thanks Unni and Oppa!
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